NOW CURATING: YOMI
s t r e e t a r t i s t
From bronze to digital, Tyler Kline’s art spans the ages, melding ideas of time, space, metaphysics, and humanity into packages of cast metal that last forever, or into Vine videos that live for seconds in a Twitter feed. Tyler is fearless in his use of materials, generous in his treatment of others in the art community, and one of the smartest artists working in Philadelphia today. He’s a member of the Little Berlin collective and by day he manages the Sculpture shop and the bronze forge at University of the Arts and curates several art spaces at that university.
-Roberta Fallon, curator
I actually have a long history with disposable cameras. When they came on the market in the late nineties I would use them to document travels, skate sessions, art processes, and the architectural changes of the cities I was living in at the time.
With this project I find myself tracing the same threads of connection. I animated certain photographs to give them a heightened sense of transformation, invoking the sensations of a particularly poignant studio visit, the alchemy of certain art processes, or the visceral engagement of a skate session. Others I combined in a sequential fashion to emphasize states of flux, such as in the changing Philly skyline or the repetition of riding the 32 bus into my job at UArts.
I have always been inspired by the way Philadelphia is redefining itself in the early 21st century as a post-industrial laboratory of urban living, and I always use my commute as studio time: either through daydreaming, honing vision, creating digital designs on a tablet, or drawing in my sketchbook.
The other images are the flotsam and jetsam of my daily life: meeting friends for coffee, playing with my family, and walking along distinctly Philadelphian landscapes become the rhythms of my existence.